Showing posts with label Brothers After All. Show all posts
Showing posts with label Brothers After All. Show all posts

Futurazzi | Māori Moment for William and Kate

Here at Future-ish, we love when worlds collide. That's precisely what happened with Prince William and Princess Kate visited New Zealand in April 2014. Like many guests, William and Kate participated in a traditional Māori greeting ceremony, or pōwhiri. The cross-cultural exchange was particularly striking given the couple's Western attire juxtaposed with the traditional Māori attire which can include face and body tattoos and painting.

The ceremony included the hongi, a traditional Māori greeting in which participants presses noses and forheads together to exchange ha (the breath of life). Both Prince William and Princess Kate took part in the hongi with local Kaumatua (Elder), Lewis Moeau and others.

Image credit: Tim Rooke

Star Wars in Diné

Indian Country Today produced a short video, Jedis and Indians! Live From the 'Navajo Star Wars' Premiere on the July 2013 screening of Star Wars Episode IV: A New Hope” dubbed in Diné (Navajo). The Navajo Nation Museum worked with Lucasfilms to dub the film as a way to encourage current and future generations to speak more Diné. The project took three years and included many translation challenges since words like "starship" didn't translate well into Diné. It is clear that the end product was a huge success and its is REALLY COOL that a story set "A long time ago, in a galaxy far, far away..." has become a valuable tool in keeping an ancient language in use for generations to come.

Below is the Indian Country Today video:

SeanChron - Pōwhiri Starts Filming of The Hobbit

I finally got around to watching The Hobbit this last weekend. I know, I am WAY behind on this.

In addition to being really pleased with the movie (though quite long and quite 'Hollywoody'), I was especially pleased to see something in the production video segments that are part of Peter Jackson’s Video Blogs on the making of The Hobbit: An Unexpected Journey that are part of The Hobbit Blog.

Here at Future-ish, we are all about science, design, and culture shaping the future. It is the culture part of the equation that is often the hardest element to ensure gets included in discussions of future-shaping people, projects, and ideas. We also always do our best to seek out stories of culture playing a role in shaping the future. We also do our best to honor the people, place, and host culture of places where we live, work, play, and travel. So, when I saw a Pōwhiri (a Māori Welcoming Ceremony) in Production Video #1 (see below, about seven minutes in), I literally jumped out of my comfy couch. Best of all, it is clear in the video that Peter Jackson, Martin Freeman, Richard Armitage, and the entire cast and crew appreciated the unique value the Pōwhiri added to the entire project.



This is a great real world example of honoring people, place, and the host culture "in a good way" as is often said. Just imagine if every film project was started by asking the host culture of the location to participate in a welcoming event. It allows both sides of the project, the host culture and the guests, to start things off the way these things should be started off. Kudos to Peter Jackson, lets hope this catches on across the industry and becomes a best practice...or even better, a standard.

Culture Icon - Arvel Bird

Arvel Bird is an award-winning classically trained violinist of Paiute and Scottish heritage. He was born in Idaho, and raised in Utah and Arizona. In addition to studying music at Arizona State University, he studied violin under Paul Roland at the University of Illinois Champagne/Urbana, a renowned Hungarian violinist. Bird performs and records in a number of diverse music genres, including Native American, Celtic, classical, world fusion, blues, jazz, bluegrass, New Age, folk, Cajun, Western swing, Appalachian, and American roots and toured the world with Glen Campbell, Loretta Lynn, and Ray Price before starting his own solo career focusing on Native American and Celtic music. Bird has released 16 albums, two DVDs, and has scored several film projects.

Below is a 2007 interview by Bill Merickel, a photojournalist in Oklahoma City, OK:

Helping hands...

Besides spending a lot of money on both the silent and live auction at the recent Duwamish Tribe Dinner & Gala myself, I was able to help out a little along the way as well. Find a short article and slideshow about the event on the West Seattle Herald website here.

8th Generaton shoes for walking in two worlds


Louie Gong's Eighth Generation shoes are gaining ground fast. A Native American of mixed heritage (Nooksack, Chinese, French, Scottish), Gong understands the challenges and opportunities that exist today for people of mixed heritage living in a modern world while trying to honor cultural identity. His hand crafted Coast Salish designs on the iconic Vans shoes reflect this understanding and they are becoming as popular as any new fashion on the Paris catwalks. Gong is also an activist for people living in multiple worlds as President of the Mavin Foundation among other innovative projects.

Joe Feddersen - Vital Signs

Today I had the great pleasure off viewing a new exhibit at the Tacoma Art Museum, a retrospective of Joe Fedderson's work. I was at the Museum with Patty, a fellow member of the Carver Camp Canoe Family from the past two years of Tribal Journey. Patty was a student of Joe's at Evergreen so she thought it would be fun to view the exhibit before we headed to the Chehalis Tribe where we would help Phil Red Eagle with a Copper Ring Ceremony at their Tribal Journey potlatch. The exhibit was absolutely amazing, one could very quickly pick up on the 'Urban Indian' vibe of Joe's work along with his sense of humor. Below is the Culture Icon entry I posted on my other blog, The Smart Set:

"Joe Feddersen's internationally renowned artistry comes in many forms...prints, collage, glass, and weaving. But across these media, several themes stand out: Urban Indian, a sense of place, a keen eye for pattern, and a bit of humor. His works are quintessentially Native yet thoroughly modern as they chronicle human relationships with place. His geometric prints echo the landscape of the Plateau area where he grew up and his glass and weaving pieces capture both the traditional Plateau culture and key features of the changing urban landscape such as tire treads, parking lots, and power lines. Born in 1953 in Omak, Washington of Okanogan and Lakes ancestry, Feddersen spent his early days on the Colville Indian Reservation. Later, he received a BFA from the University of Washington in Seattle and received his Master of Fine Arts from the University of Wisconsin-Madison in 1989. In 2009, Feddersen retired from Evergreen State College after twenty years. A retrospective of Feddersen's work, Vital Signs, is on exhibit at the Tacoma Art Museum through January 10, 2009."

New Book | Conservation Refugees

Originally posted on: Brothers After All...A much anticipated book by Mark Dowie explores the tenuous relationship between global conservation efforts and indigenous peoples. Conservation Refugees shows that even though conservation and indigenous movements share many objectives, they also come into conflict, particularly when Western ideas, opinions, and worldviews don't match up with Indigenous ways of thinking, being, and doing. The field of integrated conservation and development (ICD), also referred to as community-based conservation and/or participatory conservation, has been around for several decades but the challenge of protecting diversity without impacting the indigenous peoples that often inhabit the same critical areas is still just that...a challenge. Heated discussions on ICD have played out in both the academic and mainstream press but in the end, Indigenous Peoples are still becoming refugees in the name of conservation. Perhaps Dowie's book will bring a new perspective to the diversity dilemma.

An evening with Melanie Cheung


9/19/09. This evening I had the great honor of attending a lecture by Maori neuroscientist Melanie Cheung on her research into Huntington's disease, her efforts to apply Tikanga Maori (Maori ways of thinking, being, doing) to her work with human brain tissue in a culturally safe and sensitive way, and her experience in both Indigenous and Western science. Cheung's lecture was part of the Indigenous Wellness Research Institutes annual celebration and having just finished Gregory Cajete's book, Native Science, and then finding a fantastic article by Cheung on Indigenous science, I was very much looking forward to hearing Cheung in person.

The results...she was FABULOUS!. Her research is fascinating and her journey to apply Tikanga Maori to her work is nothing less than inspiring as it invites a deep respect and sensitivity for people, protocol, and life back into science, something that has been lacking in Western science...well for centuries. As opposed to the Western worldview in which science and spirituality don't get along so well, in Indigenous Science science and spirituality are often one and the same. In fact, Cheung considers her ability to bridge the two worldviews as a benefit as it allows for more open-mindedness and more diverse perspectives in both asking and answering research questions. Add to all this a great sense of humor and fantastic storytelling skills and you've got one really fun, really inspiring evening.

Willie K...Hawaiian tenor

I had the awesome opportunity to hear Hawaiian musician and entertainer Willie K strum tonight at the Seattle Live Aloha Festival. I knew he was an awesome musician from hearing him on KBCS's Hawaii Radio Connection but WOW...I was even more impressed with Willie K in person. Hawaiian, jazz, rock, opera...you name it, Willie can do it. Apparently, Willie K's been spending a lot of time in Germany opening for Simply Red and one of the things he's picked up is a love for opera...with a touch of Hawaiian. That's right...check out "O Sole Mio" with ukulele below...



or how about "Nessun Dorma" with guitar opening the 2009 Hawaii Legislative session...



Willie K...you da man!

Indigenous knowledge valuable in mitigating natural disasters


An article by Andrew Stevens on emergencymgmt.com demonstrates how Western emergency managers benefit from Idigenous Knowledge in mitigating damage from natrual disasters.

Image: The Barangay Disaster Coordinating Council gives out the initial warning using the kanungkung, from "Indigenous Knowledge for Disaster Risk Reduction: Good Practices and Lessons Learned from Experiences in the Asia-Pacific Region", available here.

Future-ish Remembers | Culture Icon - Maria Tallchief


Maria Tallchief (1925-2013) is known around the world as the first Prima Ballerina in America. Born on the Osage Indian Reservation in Oklahoma in 1925, Elizabeth Marie Tall Chief, was the daughter of an Osage Father, Alexander Joseph Tall Chief, and Scottish/Irish Mother, Ruth Mary Porter Tall Chief. Tallchief was the Grandaughter of Eliza Big Heart. In 1953, Tallchief was given the name of Wa-Xthe-Thomba, meaning "Woman of Two Worlds." She was married to choreographer George Balanchine from 1946 to 1952 and later married Chicago Developer Henry Paschen in 1956. She started piano and ballet at age three and by age 12 she was studying ballet under the great Madame Nijinska. Tallchief performed with the Ballet Russe de Monte Carlo From 1942 to 1947 and the New York City Ballet from 1947 to 1965. Tallchief's 1949 performance of Balanchine's "The Firebird" in 1949 made her world famous and she was the first Sugarplum Fairy in Balanchine's Nutcracker. Tallchief retired in 1965 and started the Chicago City Ballet in 1981 with her sister Marjorie, also an acclaimed ballerina. At present Tallchief is artistic adviser to the Chicago Festival Ballet. Among many other awards and honors, Tallchief received the Kennedy Center Honors in 1996.

SeanChron - Impromptu Hula



I recently returned from my third annual visit to Maui. I try to learn more about Hawaiian culture and sustainability efforts with every visit and this last visit was one of my best ever, both for me personally and in finding a lot of sustainability efforts underway. You can read up on my latest visit on my Haberdash for Humanity blog.

One of the things that I've observed several times since I've been back home in Seattle is impromptu Hula...Hula dancers that just show up in parks, in lobbies, etc. to share their beautiful Hula dances and spread some Aloha. Today I just happened to do a search on YouTube for a video of Keali'i Reichel and his dancers performing "Maunaleo" that I saw on the Hawaiian Airlines flight back home and came across this video, 'Melissa dances to Maunaleo', that is a great example of 'impromptu hula'. I must admit, the song itself - which was a gift to his Mother and honors the mountain that looks over Wailuku on Maui - makes me tear up a bit every time I hear it but the Hula makes me smile. Call it whatever you like...impromptu Hula, gorilla Hula, pop up Hula, etc. it's just a great gift if you're lucky enough to come across one of these surprise performances.

Alaska Native Ariel Tweto kicks butt on Wipeout

Ariel Tweto, from the Native Village of Unalakleet in Alaska, kicked butt on the first season of ABC's show Wipeout. Although I'm a bit embarrassed to admit I'm a HUGE fan of Wipeout, I really was out of my seat cheering on Ariel throughout the show. Not only did she kick butt throughout the first rounds, she was awesome in the finals!!! I think her attitude and personality were the best part though, you just want to give her a big hug. She not only represented Alaskans, she represented her fellow Eskimo people and Indigenous people around the world...and she had a blast doing it! From what I've found Googling Ms. Ariel, she's a cross country star and has her sights on a journalism and /or fitness-nutrition career. She was fantastic on the show so I bet we'll see more of her.

From NPR to Native Research Celebration

Wow, I had a busy day today...but I wouldn't trade it for the world. I started out by sitting down with KUOW's Weekday host, Steve Scher, to discuss sustainable style...can you be stylish and sustainable at the same time. It was my first time on radio so I was pretty nervous leading up to the show. Once I was in the booth though, it went great. I've been a fan of Weekday and Steve Scher for a long time so was pretty familiar with the format, a quick back and forth with Steve and then listener questions. Steve was right on it as far a touch questions. And the listeners were right on as well with great examples or suggestions themselves. Afterward, I got lots of text messages, emails, and voicemails from all sorts of folks, friends, family, and I guess I'd have to say brand new friends. In the end, I just hope I did well by SSFand everyone out there trying to live a bit more on the sustainable side.


So that was the start of my day. The end of my day was spent at the launch of a new institute at UW called the Indigenous Wellness Research Institute (IWRI). It is an incredible new effort that will do incredible things and produce incredible results. But speaking of incredible. The evening blew me away. The ceremonies and lectures were inspiring and the performances were out of this world. Two performers in particular really left me breathless. Pura Fe completely amazed me. This woman should have shelves full of Grammies. Not that you can really describe her voice or style, but if you crossed Janice Joplin, Aretha Franklin, and Bonnie Raitt...you'd be close. The other great surprise was Kinnie Star, a young female performing artist from Vancouver. She started with some awesome poetry, did a couple more Top 40 type songs, and then ended with some Rap/Hip Hop that ROCKED!!! Now Don't get me wrong, the Black Lodge Singers and Keith Knight (a six string guitar player) were outstanding too, but the women really stole the show I must say. One of the final acts was Ulali, a trio of Native women (including Pura Fe) that I think could have easily, literally set the house on fire. They combine some traditional native sounds with etherial melodies that were food for the soul. Wow, what an amazing day!

NASAA Native Scholars


I attended the 2nd day of the annual Native American Students in Advanced Academia (NASAA) Symposium today. The audience was educated, informed, and inspired throughout and it made me decide I wanted to quit working and just attend conferences for the rest of my life. I wish! The students that presented were doing incredible work and the keynote speakers, Dr. Robert Warrior and Dr. Taiaiake Alfred were amazing as well. Best of all, I got to hear my friend Deborah Guerrero sing one of the opening blessings.