The ceremony included the hongi, a traditional Māori greeting in which participants presses noses and forheads together to exchange ha (the breath of life). Both Prince William and Princess Kate took part in the hongi with local Kaumatua (Elder), Lewis Moeau and others.
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Futurazzi | Māori Moment for William and Kate
The ceremony included the hongi, a traditional Māori greeting in which participants presses noses and forheads together to exchange ha (the breath of life). Both Prince William and Princess Kate took part in the hongi with local Kaumatua (Elder), Lewis Moeau and others.
Star Wars in Diné
Below is the Indian Country Today video:
SeanChron - Pōwhiri Starts Filming of The Hobbit
In addition to being really pleased with the movie (though quite long and quite 'Hollywoody'), I was especially pleased to see something in the production video segments that are part of Peter Jackson’s Video Blogs on the making of The Hobbit: An Unexpected Journey that are part of The Hobbit Blog.
Here at Future-ish, we are all about science, design, and culture shaping the future. It is the culture part of the equation that is often the hardest element to ensure gets included in discussions of future-shaping people, projects, and ideas. We also always do our best to seek out stories of culture playing a role in shaping the future. We also do our best to honor the people, place, and host culture of places where we live, work, play, and travel. So, when I saw a Pōwhiri (a Māori Welcoming Ceremony) in Production Video #1 (see below, about seven minutes in), I literally jumped out of my comfy couch. Best of all, it is clear in the video that Peter Jackson, Martin Freeman, Richard Armitage, and the entire cast and crew appreciated the unique value the Pōwhiri added to the entire project.
This is a great real world example of honoring people, place, and the host culture "in a good way" as is often said. Just imagine if every film project was started by asking the host culture of the location to participate in a welcoming event. It allows both sides of the project, the host culture and the guests, to start things off the way these things should be started off. Kudos to Peter Jackson, lets hope this catches on across the industry and becomes a best practice...or even better, a standard.
Culture Icon - Arvel Bird
Arvel Bird is an award-winning classically trained violinist of Paiute and Scottish heritage. He was born in Idaho, and raised in Utah and Arizona. In addition to studying music at Arizona State University, he studied violin under Paul Roland at the University of Illinois Champagne/Urbana, a renowned Hungarian violinist. Bird performs and records in a number of diverse music genres, including Native American, Celtic, classical, world fusion, blues, jazz, bluegrass, New Age, folk, Cajun, Western swing, Appalachian, and American roots and toured the world with Glen Campbell, Loretta Lynn, and Ray Price before starting his own solo career focusing on Native American and Celtic music. Bird has released 16 albums, two DVDs, and has scored several film projects.
Below is a 2007 interview by Bill Merickel, a photojournalist in Oklahoma City, OK:
Helping hands...
8th Generaton shoes for walking in two worlds

Louie Gong's Eighth Generation shoes are gaining ground fast. A Native American of mixed heritage (Nooksack, Chinese, French, Scottish), Gong understands the challenges and opportunities that exist today for people of mixed heritage living in a modern world while trying to honor cultural identity. His hand crafted Coast Salish designs on the iconic Vans shoes reflect this understanding and they are becoming as popular as any new fashion on the Paris catwalks. Gong is also an activist for people living in multiple worlds as President of the Mavin Foundation among other innovative projects.
Joe Feddersen - Vital Signs

"Joe Feddersen's internationally renowned artistry comes in many forms...prints, collage, glass, and weaving. But across these media, several themes stand out: Urban Indian, a sense of place, a keen eye for pattern, and a bit of humor. His works are quintessentially Native yet thoroughly modern as they chronicle human relationships with place. His geometric prints echo the landscape of the Plateau area where he grew up and his glass and weaving pieces capture both the traditional Plateau culture and key features of the changing urban landscape such as tire treads, parking lots, and power lines.Born in 1953 in Omak, Washington of Okanogan and Lakes ancestry, Feddersen spent his early days on the Colville Indian Reservation. Later, he received a BFA from the University of Washington in Seattle and received his Master of Fine Arts from the University of Wisconsin-Madison in 1989. In 2009, Feddersen retired from Evergreen State College after twenty years. A retrospective of Feddersen's work, Vital Signs, is on exhibit at the Tacoma Art Museum through January 10, 2009."
New Book | Conservation Refugees

An evening with Melanie Cheung

9/19/09. This evening I had the great honor of attending a lecture by Maori neuroscientist Melanie Cheung on her research into Huntington's disease, her efforts to apply Tikanga Maori (Maori ways of thinking, being, doing) to her work with human brain tissue in a culturally safe and sensitive way, and her experience in both Indigenous and Western science. Cheung's lecture was part of the Indigenous Wellness Research Institutes annual celebration and having just finished Gregory Cajete's book, Native Science, and then finding a fantastic article by Cheung on Indigenous science, I was very much looking forward to hearing Cheung in person.
The results...she was FABULOUS!. Her research is fascinating and her journey to apply Tikanga Maori to her work is nothing less than inspiring as it invites a deep respect and sensitivity for people, protocol, and life back into science, something that has been lacking in Western science...well for centuries. As opposed to the Western worldview in which science and spirituality don't get along so well, in Indigenous Science science and spirituality are often one and the same. In fact, Cheung considers her ability to bridge the two worldviews as a benefit as it allows for more open-mindedness and more diverse perspectives in both asking and answering research questions. Add to all this a great sense of humor and fantastic storytelling skills and you've got one really fun, really inspiring evening.
Willie K...Hawaiian tenor
or how about "Nessun Dorma" with guitar opening the 2009 Hawaii Legislative session...
Willie K...you da man!
Indigenous knowledge valuable in mitigating natural disasters

An article by Andrew Stevens on emergencymgmt.com demonstrates how Western emergency managers benefit from Idigenous Knowledge in mitigating damage from natrual disasters.
Image: The Barangay Disaster Coordinating Council gives out the initial warning using the kanungkung, from "Indigenous Knowledge for Disaster Risk Reduction: Good Practices and Lessons Learned from Experiences in the Asia-Pacific Region", available here.
Future-ish Remembers | Culture Icon - Maria Tallchief

Maria Tallchief (1925-2013) is known around the world as the first Prima Ballerina in America. Born on the Osage Indian Reservation in Oklahoma in 1925, Elizabeth Marie Tall Chief, was the daughter of an Osage Father, Alexander Joseph Tall Chief, and Scottish/Irish Mother, Ruth Mary Porter Tall Chief. Tallchief was the Grandaughter of Eliza Big Heart. In 1953, Tallchief was given the name of Wa-Xthe-Thomba, meaning "Woman of Two Worlds." She was married to choreographer George Balanchine from 1946 to 1952 and later married Chicago Developer Henry Paschen in 1956. She started piano and ballet at age three and by age 12 she was studying ballet under the great Madame Nijinska. Tallchief performed with the Ballet Russe de Monte Carlo From 1942 to 1947 and the New York City Ballet from 1947 to 1965. Tallchief's 1949 performance of Balanchine's "The Firebird" in 1949 made her world famous and she was the first Sugarplum Fairy in Balanchine's Nutcracker. Tallchief retired in 1965 and started the Chicago City Ballet in 1981 with her sister Marjorie, also an acclaimed ballerina. At present Tallchief is artistic adviser to the Chicago Festival Ballet. Among many other awards and honors, Tallchief received the Kennedy Center Honors in 1996.
SeanChron - Impromptu Hula
I recently returned from my third annual visit to Maui. I try to learn more about Hawaiian culture and sustainability efforts with every visit and this last visit was one of my best ever, both for me personally and in finding a lot of sustainability efforts underway. You can read up on my latest visit on my Haberdash for Humanity blog.
One of the things that I've observed several times since I've been back home in Seattle is impromptu Hula...Hula dancers that just show up in parks, in lobbies, etc. to share their beautiful Hula dances and spread some Aloha. Today I just happened to do a search on YouTube for a video of Keali'i Reichel and his dancers performing "Maunaleo" that I saw on the Hawaiian Airlines flight back home and came across this video, 'Melissa dances to Maunaleo', that is a great example of 'impromptu hula'. I must admit, the song itself - which was a gift to his Mother and honors the mountain that looks over Wailuku on Maui - makes me tear up a bit every time I hear it but the Hula makes me smile. Call it whatever you like...impromptu Hula, gorilla Hula, pop up Hula, etc. it's just a great gift if you're lucky enough to come across one of these surprise performances.
Alaska Native Ariel Tweto kicks butt on Wipeout


From NPR to Native Research Celebration


So that was the start of my day. The end of my day was spent at the launch of a new institute at UW called the Indigenous Wellness Research Institute (IWRI). It is an incredible new effort that will do incredible things and produce incredible results. But speaking of incredible. The evening blew me away. The ceremonies and lectures were inspiring and the performances were out of this world. Two performers in particular really left me breathless. Pura Fe completely amazed me. This woman should have shelves full of Grammies. Not that you can really describe her voice or style, but if you crossed Janice Joplin, Aretha Franklin, and Bonnie Raitt...you'd be close. The other great surprise was Kinnie Star, a young female performing artist from Vancouver. She started with some awesome poetry, did a couple more Top 40 type songs, and then ended with some Rap/Hip Hop that ROCKED!!! Now Don't get me wrong, the Black Lodge Singers and Keith Knight (a six string guitar player) were outstanding too, but the women really stole the show I must say. One of the final acts was Ulali, a trio of Native women (including Pura Fe) that I think could have easily, literally set the house on fire. They combine some traditional native sounds with etherial melodies that were food for the soul. Wow, what an amazing day!
NASAA Native Scholars

I attended the 2nd day of the annual Native American Students in Advanced Academia (NASAA) Symposium today. The audience was educated, informed, and inspired throughout and it made me decide I wanted to quit working and just attend conferences for the rest of my life. I wish! The students that presented were doing incredible work and the keynote speakers, Dr. Robert Warrior and Dr. Taiaiake Alfred were amazing as well. Best of all, I got to hear my friend Deborah Guerrero sing one of the opening blessings.
Culture Beat - Native American Film Festival

25 years of Native films, video, radio, television, and electronic media throughout the Americas and Hawai’i at 2006 Native American Film + Video Festival.