The ceremony included the hongi, a traditional Māori greeting in which participants presses noses and forheads together to exchange ha (the breath of life). Both Prince William and Princess Kate took part in the hongi with local Kaumatua (Elder), Lewis Moeau and others.
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Futurazzi | Māori Moment for William and Kate
The ceremony included the hongi, a traditional Māori greeting in which participants presses noses and forheads together to exchange ha (the breath of life). Both Prince William and Princess Kate took part in the hongi with local Kaumatua (Elder), Lewis Moeau and others.
Star Wars in Diné
Below is the Indian Country Today video:
SeanChron - Pōwhiri Starts Filming of The Hobbit
In addition to being really pleased with the movie (though quite long and quite 'Hollywoody'), I was especially pleased to see something in the production video segments that are part of Peter Jackson’s Video Blogs on the making of The Hobbit: An Unexpected Journey that are part of The Hobbit Blog.
Here at Future-ish, we are all about science, design, and culture shaping the future. It is the culture part of the equation that is often the hardest element to ensure gets included in discussions of future-shaping people, projects, and ideas. We also always do our best to seek out stories of culture playing a role in shaping the future. We also do our best to honor the people, place, and host culture of places where we live, work, play, and travel. So, when I saw a Pōwhiri (a Māori Welcoming Ceremony) in Production Video #1 (see below, about seven minutes in), I literally jumped out of my comfy couch. Best of all, it is clear in the video that Peter Jackson, Martin Freeman, Richard Armitage, and the entire cast and crew appreciated the unique value the Pōwhiri added to the entire project.
This is a great real world example of honoring people, place, and the host culture "in a good way" as is often said. Just imagine if every film project was started by asking the host culture of the location to participate in a welcoming event. It allows both sides of the project, the host culture and the guests, to start things off the way these things should be started off. Kudos to Peter Jackson, lets hope this catches on across the industry and becomes a best practice...or even better, a standard.
SeanChron | Ohana Aircraft Infused with Culture and Tradition
As the founder of this crazy adventure called Future-ish, I'm often asked for examples of science, design, and culture coming together in meaningful ways. Specifically, many people think that given the increasingly fast pace of technology and consumerism, it will be difficult to maintain aspects of culture and tradition in our modern world. As I've often said, science and design certainly drive innovation in many ways but it is the element of culture that both connects each of us to our unique history and heritage AND brings us together so that we progress forward with greater meaning. I can't think of a better example of all this than the time, thought, and consideration that went into the the design and branding of Hawaiian Airlines' new regional airline, Ohana.
The goal of Ohana (which is the Hawaiian word for 'family') is to bring people together from across the islands and connect communities. The connection to culture and tradition is expanded in the fuselage tail design, created by Hawaiian designer Sig Zane and his son Kuha‘o who used three traditional kapa patterns and the airlines island flight pattern to conceptualize the design. Each of the kapa designs has specific meaning. "Piko", a pattern inspired by braided ti leaves represents family and heritage. "Manu", represents both a bird in flight and the bow of a wa'a (canoe) acknowledging both origins and destinations. And finally, "kalo" symbolizes the shape of a kalo (taro) leaf which represents family and connection to others.
More images and graphics are available at the Ohana page on the Hawaiian Airlines website.
Sig and Kuha‘o discuss tell more about the concept and design in the Hawaiian Airlines video below:
You may also like: Finnair-Marimekko Collaboration Takes Flight
Culture Icon - Arvel Bird
Arvel Bird is an award-winning classically trained violinist of Paiute and Scottish heritage. He was born in Idaho, and raised in Utah and Arizona. In addition to studying music at Arizona State University, he studied violin under Paul Roland at the University of Illinois Champagne/Urbana, a renowned Hungarian violinist. Bird performs and records in a number of diverse music genres, including Native American, Celtic, classical, world fusion, blues, jazz, bluegrass, New Age, folk, Cajun, Western swing, Appalachian, and American roots and toured the world with Glen Campbell, Loretta Lynn, and Ray Price before starting his own solo career focusing on Native American and Celtic music. Bird has released 16 albums, two DVDs, and has scored several film projects.
Below is a 2007 interview by Bill Merickel, a photojournalist in Oklahoma City, OK:
Indigenous Diva: Dame Kiri Te Kanawa

(Image courtesy Ravinia Festival)
I recently came across this video below of Dame Te Kanawa singing "Tarahiki", an ancient Maori song/chant about the beauty and strength of the cicada dance. It totally blew me away.
Read more about Dame Te Kanawa on her Kiri Te Kanawa Foundation website, her IMG Artists website, and Wikipedia. There are many more videos of her singing on YouTube as well.
And here is another version with Maori chorus from millennium celebrations in NZ...
A couple other favorite vids of mine...Dame Te Kanawa singing "Pokarekare Ana" in 1990 and more recently for the NZ millennium celebrations.
8th Generaton shoes for walking in two worlds

Louie Gong's Eighth Generation shoes are gaining ground fast. A Native American of mixed heritage (Nooksack, Chinese, French, Scottish), Gong understands the challenges and opportunities that exist today for people of mixed heritage living in a modern world while trying to honor cultural identity. His hand crafted Coast Salish designs on the iconic Vans shoes reflect this understanding and they are becoming as popular as any new fashion on the Paris catwalks. Gong is also an activist for people living in multiple worlds as President of the Mavin Foundation among other innovative projects.
Joe Feddersen - Vital Signs

"Joe Feddersen's internationally renowned artistry comes in many forms...prints, collage, glass, and weaving. But across these media, several themes stand out: Urban Indian, a sense of place, a keen eye for pattern, and a bit of humor. His works are quintessentially Native yet thoroughly modern as they chronicle human relationships with place. His geometric prints echo the landscape of the Plateau area where he grew up and his glass and weaving pieces capture both the traditional Plateau culture and key features of the changing urban landscape such as tire treads, parking lots, and power lines.Born in 1953 in Omak, Washington of Okanogan and Lakes ancestry, Feddersen spent his early days on the Colville Indian Reservation. Later, he received a BFA from the University of Washington in Seattle and received his Master of Fine Arts from the University of Wisconsin-Madison in 1989. In 2009, Feddersen retired from Evergreen State College after twenty years. A retrospective of Feddersen's work, Vital Signs, is on exhibit at the Tacoma Art Museum through January 10, 2009."
Rugby, Maori style
The New Zealand national rugby team, the Allblacks, may all dress alike in their black uniforms, but one this is for sure...they will certainly never lose their identity as a team inspired and energized by Tikanga Maori (Maori ways of thiking, being, doing). The Allblacks start each match with their traditional war dance, the Haka. Sport, competition, and warrior-athletes have been a part of human culture for thousands of years around the world so its good to see that the Allblacks and other teams honor both sport and their culture with this modern tradition. A little surfing on YouTube and you'll also find the Somoan national team performing their Siva Tau, as well as Tonga with thier Sipi Tau and Fiji with their Cibi.
Below the Allblacks take on France in 2009:
And here the Allblacks take on Tonga who reply with their Sipi Tau:
An evening with Melanie Cheung

9/19/09. This evening I had the great honor of attending a lecture by Maori neuroscientist Melanie Cheung on her research into Huntington's disease, her efforts to apply Tikanga Maori (Maori ways of thinking, being, doing) to her work with human brain tissue in a culturally safe and sensitive way, and her experience in both Indigenous and Western science. Cheung's lecture was part of the Indigenous Wellness Research Institutes annual celebration and having just finished Gregory Cajete's book, Native Science, and then finding a fantastic article by Cheung on Indigenous science, I was very much looking forward to hearing Cheung in person.
The results...she was FABULOUS!. Her research is fascinating and her journey to apply Tikanga Maori to her work is nothing less than inspiring as it invites a deep respect and sensitivity for people, protocol, and life back into science, something that has been lacking in Western science...well for centuries. As opposed to the Western worldview in which science and spirituality don't get along so well, in Indigenous Science science and spirituality are often one and the same. In fact, Cheung considers her ability to bridge the two worldviews as a benefit as it allows for more open-mindedness and more diverse perspectives in both asking and answering research questions. Add to all this a great sense of humor and fantastic storytelling skills and you've got one really fun, really inspiring evening.
Willie K...Hawaiian tenor
or how about "Nessun Dorma" with guitar opening the 2009 Hawaii Legislative session...
Willie K...you da man!
Woman of Two Worlds, Maria Tallchief

Originally posted on The Smart Set...Maria Tallchief is known around the world as the first Prima Ballerina in America. Born on the Osage Indian Reservation in Oklahoma in 1925, Elizabeth Marie Tall Chief, was the daughter of an Osage Father, Alexander Joseph Tall Chief, and Scottish/Irish Mother, Ruth Mary Porter Tall Chief. Tallchief was the Grandaughter of Eliza Big Heart. In 1953, Tallchief was given the name of Wa-Xthe-Thomba, meaning "Woman of Two Worlds." She was married to choreographer George Balanchine from 1946 to 1952 and later married Chicago Developer Henry Paschen in 1956. She started piano and ballet at age three and by age 12 she was studying ballet under the great Madame Nijinska. Tallchief performed with the Ballet Russe de Monte Carlo From 1942 to 1947 and the New York City Ballet from 1947 to 1965. Tallchief's 1949 performance of Balanchine's "The Firebird" in 1949 made her world famous and she was the first Sugarplum Fairy in Balanchine's Nutcracker. Tallchief retired in 1965 and started the Chicago City Ballet in 1981 with her sister Marjorie, also an acclaimed ballerina. At present Tallchief is artistic adviser to the Chicago Festival Ballet. Among many other awards and honors, Tallchief received the Kennedy Center Honors in 1996.
Future-ish Remembers | Culture Icon - Maria Tallchief

Maria Tallchief (1925-2013) is known around the world as the first Prima Ballerina in America. Born on the Osage Indian Reservation in Oklahoma in 1925, Elizabeth Marie Tall Chief, was the daughter of an Osage Father, Alexander Joseph Tall Chief, and Scottish/Irish Mother, Ruth Mary Porter Tall Chief. Tallchief was the Grandaughter of Eliza Big Heart. In 1953, Tallchief was given the name of Wa-Xthe-Thomba, meaning "Woman of Two Worlds." She was married to choreographer George Balanchine from 1946 to 1952 and later married Chicago Developer Henry Paschen in 1956. She started piano and ballet at age three and by age 12 she was studying ballet under the great Madame Nijinska. Tallchief performed with the Ballet Russe de Monte Carlo From 1942 to 1947 and the New York City Ballet from 1947 to 1965. Tallchief's 1949 performance of Balanchine's "The Firebird" in 1949 made her world famous and she was the first Sugarplum Fairy in Balanchine's Nutcracker. Tallchief retired in 1965 and started the Chicago City Ballet in 1981 with her sister Marjorie, also an acclaimed ballerina. At present Tallchief is artistic adviser to the Chicago Festival Ballet. Among many other awards and honors, Tallchief received the Kennedy Center Honors in 1996.
Alaska Native Ariel Tweto kicks butt on Wipeout

