Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Confab | 002 | Pillars of Hope | Carbon Crescendo


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Image credit: Peter H.

Intersectionality in Sustainability: Mixing the Sciences and the Arts
by Drue Johnson

As a society, we have condemned the word “sustainability” to a minute sphere of existence. It’s hard to imagine how sustainability would do anything but inhibit profits in the business world, wreck the auto industry, or tamp down the creativity of the arts. Even today I heard a man say that in his view, the word itself was overused, over-applied to subjects already well designed and fleshed out by the modern era. How in the world could we as a country have a “sustainable economy”? We seem to think that we should leave the sustainable thinking to the tree-huggers and the environmental studies majors, when in actuality, the concept itself can connect to near every field in existence. I’d like to prove opinions like these wrong by providing the stories of some innovators who have connected sustainability with an unrelated field, and now have something great to show for it.

If you’re looking for an example of a person who makes the interconnectivity of sustainability apparent in their work, see Judy Twedt. Growing up in the PNW, Twedt recalls powerful mountain landscapes, a bounty of trees and the cold, salty grey water of the Puget Sound. She also remembers having an early interest in the people of the region, something which led her to leave her home of Tacoma to pursue a degree in philosophy at Colorado college.

While studying the biggest questions in philosophy for five years - Who are we? What are we doing here? And most importantly, how should we live on this earth? - she never forgot the passion she had growing up for the natural world. By focusing her studies on environmental ethics and human rights theory, she was able to tie together the two most important topics in her life while exploring the connections that they presented to her. She eventually returned to the region she grew up in, and took up atmospheric science studies as a graduate student at the University of Washington Seattle campus.

Image credit: Teisco

While beefing up her academic knowledge on the natural world, Twedt cultivated yet another impressive tie between sustainability and another popular topic. In an effort to find newer, more effective ways to get people’s attention on climate change, Twedt thought of an innovative idea: make her message louder by making it into music. In an unprecedented video on YouTube, Twedt used data on carbon emissions to create an original and moving song - entitled The Deafening Rise of Carbon Pollution - to represent the upward shift on the amount of carbon dioxide in our atmosphere. “I wanted to try out a new way communicating climate science,” said Twedt. “in a way that would resonate in unexpected ways, and could communicate a sense or urgency.”

The piece, reminiscent of a techno beat, heavily features a crescendo that creates a sense of build up. This technique is pretty common in music today, but the most interesting aspect of the song comes occurs when the listener realizes the beat never has a drop. The always increasing pitch of the song defies what one would think of as standard in modern music, pushing the piece into the realm of abstract, cultivating a sense of anxiousness as to the direction of the song. When you realize that the beat never drops because the melody is a reflection of ever-rising carbon dioxide levels in the atmosphere, the true gravity of the piece takes hold.

The song became a major success for Twedt - over nine-thousand views strong on Youtube and counting. Judy was so encouraged by the positive reception that he doctoral work now focuses almost entirely on the development of creative climate communications through digital art and sounds. She’ll continue her journey spreading creative climate change messages to the public, trailblazing a new form of scientific communication as she does so. Given that she has travelled such a unique path during her time as an academic, I was eager to hear what sort of advice she had for those who were interested in sustainability, but not yet part of a field that embraced it. She had this to say:

“People who are in interested in protecting a healthy environment, no matter what background or field they come from, have something to bring to the table. We’re living through a fundamental shift in physical environment which we depend on, and it’s on all of us to limit further damage to our atmosphere, land, and oceans. There’s a role for everyone to help drive a positive transformation in the way we consume resources on our finite earth, whether you’re a scientist, musician, engineer, historian or educator. So I suppose my advice would be to work hard on the issues you care about, and don’t be afraid to veer off the worn path.”

Image credit: Teisco

Confluence | Lady Gaga: Next Century Siren


“We could belong together. ARTPOP.”

One artist comes to mind when contemplating music in “Future-ish” fashion, Lady Gaga.  The marriage of design, culture, art and yes… science could not be more exemplified by a single artist in 2013. Leading off with the November 11th release of “ARTPOP” Gaga in usual form was not shy about its intent. Hoping to create a space for her fans where creativity thrives and expression is applauded (too easy), “ARTPOP” quite literally boasts the hybrid of art and pop music. Jeff Koons’ name was on the Billboard Top 100, need I say more? Some say this is to her detriment, sacrificing the quality of her music for the sake of her art. I personally disagree, as music is art and hits all ears differently, but I digress…  On a wider scope of interpretation it is simply about the idea of one love. All people coming together, leaving discrimination and hate behind. I feel that it’s something we can all get behind. If it helps consider it the reinvention of the “hippy-era” only we’ve traded in flower dresses for bubble dresses, peace signs for “Little Monster” paws and now weed is taxed.

Gaga merely releasing an album would be like wearing jeans and sneakers on a Saturday afternoon, am I right? Following the footsteps of Bjork and Jay-Z the album was accompanied by a social-networking app surprisingly called “ARTPOP”.  Granted, other than an intensely bright and sparkling intro there is not a great deal to it. The app consists of almost every song from the album and a forum where fans can submit their fan-art, which holds true to Gaga’s vision. Other features are expected later 2014.

Science geeks here’s your part! At the “ARTPOP” album release party titled “artRave exhibit” Gaga chose to elevate her outlandish arrivals by flying in, in her dress. Gaga, with the help of her “Tech haus” and London-based design agency, Studio XO created a flying dress named “Voltanis”. With six booms in a hex formation she lifted 70 inches off the ground in hovercraft style to arrive at her album press release. Now I have no idea precisely how this works other than my previous explanation where I confidently explained to a friend “something about wind, let’s get a drink”. 



Love her or hate her, take her or leave her Gaga will always have an eye on the past and a finger on the pulse of the future. Some call her a “recycled Madonna”. I say she is of her own and a spark in all aspects of art, technology and music. On that note, I can’t go anywhere without being forced to recycle so I’d say that is the wave of the future-ish?



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A Cappella Encore | Pentatonix Daft Punk

A cappella is all the rage. It’s been around for centuries and will be around for centuries to come. No matter how advanced music gets, awesome harmonies and instrument emulation can hold their own any day. We share some of our favorite a cappella finds in our A Cappella Encore series.

This week we feature one of the latest from Pentatonix, Daft Punk, a mix of some of the best Daft Punk songs in full on Future-ish style.

A Cappella Encore | AcaBelles cover Royals


A cappella is all the rage. It’s been around for centuries and will be around for centuries to come. No matter how advanced music gets, awesome harmonies and instrument emulation can hold their own any day. We share some of our favorite a cappella finds in our A Cappella Encore series.

This week we feature one of our new favorites, FSU AcaBelles covering Lorde's Royals. SO fabulous!


A Cappella Encore | Bohemian Gravity


A cappella is all the rage. It’s been around for centuries and will be around for centuries to come. No matter how advanced music gets, awesome harmonies and instrument emulation can hold their own any day. We share some of our favorite a cappella finds in our A Cappella Encore series.

For our first dispatch in the series we actually found a great a cappella piece that happens to also feature a science topic. Bohemian Gravity by acapellascience (Tim Blais) was posted on YouTube in September 2013 and already had over 2 million views by the end of November of that same year. Understandable...it is kinda brilliant.

SeanChron | The Björk-Attenborough Collaboration

My worlds are colliding again. Björk and Sir David Attenborough recently collaborated on her recent project, Biophilia. I've long been a big fan of Björk for her music, fashion, and design. In my conservation biology life, I've read and seen a lot of Sir David Attenborough. The collaboration goes back to 2011 when the album was released but this behind the scenes video (see below) makes the whole thing even cooler.

Culture Icon | Sonia Marie De León de Vega

Maestra Sonia Marie De León de Vega is a LA-based American symphony and opera conductor. Born in San Antonio, TX, De León de Vega is the daughter of actress/producer Sonia De León and singer/guitarist Reynaldo Sanchez. De León de Vega began her musical training at age four. She excelled in school and later at university where she focused on conducting studies with Dr. David Buck. She continued her training with Herbert Blomstedt, Otto Werner Mueller, Maurice Abravanel, Pierre Boulez, Andre Previn, Zubin Metha, and Ricardo Muti.

De Leon de Vega has been a guest conductor for many orchestras and opera companies and has developed concerts and children’s music workshops for the Department of Cultural Affairs, City of Los Angeles. At the Santa Cecilia Orchestra she developed the Discovering Music program that takes orchestra members into elementary schools in underserved Latino neighborhoods to introduce children to classical music, the instruments of the orchestra, and choir. The program has worked with more than 40,000 students in 35 schools introducing thousands of children to classical music, orchestral instruments, and the magic of the orchestra.

De Leon de Vega has accumulated many and diverse accolades. She was the first woman in history to conduct a symphony orchestra for the Pope, she was named named Outstanding Latina of the Year in 2000 by Univision, Mervyns, and Target, and she was voted one of the 100 most influential Hispanics in the US twice. In April 2005 Hispanic Business Magazine named her in their “80 Elite Women” list. Also in 2005, she was named “Business Woman Of The Year in Arts And Entertainment” in the State of California.

Below is a NBC Nightly News segment on De León de Vega and the Santa Cecilia Orchestra...

Visit NBCNews.com for breaking news, world news, and news about the economy

Mind Melodies

NYC-based neuropsychiatrist Galina Mindlin has turned a new kind of personal playlist into a valuable tool for training your mind. From reducing anxiety and stress to helping you focus and increasing productivity, Mindlin's Brain Music Therapy has been shown to have a multitude of benefits. To produce the playlist, Mindlin monitors an individual’s brain waves and converts them into unique musical sounds that promote relaxation and/or activate systems in your body. Read more about Mindlin's work in this January 2012 article in Smithsonian Magazine by Erica Hendrey, "Music Playlists to Soothe Your Mind".

Google's Moog Doodle

Today's Google doodle honors Robert Moog, inventor of the analog synthesizer and an electronic music pioneer. The doodle is interactive and you can play, record, and share your Moog recordings.











It's not quite as awe-inspiring are remotely controlling the world's largest analog synthesizer, the Paradiso at MIT, but there's no queue to play it. And you can save your Moog noodling for posterity.  BP

Cocktail Astronomy | Cassini Mission

Here at Future-ish, we love astronomy and we love cocktails. So to prep our fans (and ourselves) for those stellar weekend cocktail conversations, we are pleased to offer our Cocktail Astronomy post each Friday.

If there was an Oscar for best space footage (or perhaps we should say WHEN there is an Oscar for best space footage), Cassini Mission by Chris Abbas would win it. Furthermore, Abbas - along with Nine Inch Nails - might just get best score too since the track '2 Ghosts' from their album Ghosts I-IV provides the pitch perfect soundtrack to the stunning video. Cassini Mission features remixed Cassini Solstice Mission NASA and ESA images of Saturn and its moons jockeyed together by Abass, a Seattle-based designer/director. Abass also throws in a Carl Sagan quote in the video description:
"Somewhere, something incredible is waiting to be known."
So mix up your favorite cocktail, turn on the stereo and put this on the big screen, we can't think of a better way to get the weekend rolling than a fab video like this.

David Byrne Dubs London's Tempo

During his 3-day residency in a riverboat perched atop Queen Elizabeth Hall in London, David Byrne created a song from field recordings that he made of sounds around the city. His song, Get It Away, is the tempo of London, which Byrne said is 122.86 beats per minute. Very precise.


The temporary residence's installation is itself called A Room For London and celebrates London's Olympic year. Its design inspired by the riverboat in Joseph Conrad's Heart of Darkness, the unique space gives its residents a new perspective on one of London's cultural centers.  BP

Reshaping The Album

Similar in appearance to the cryoscope, the upcoming release of a label sampler by Clown & Sunset will be an aluminum cube they are calling The Prism. The sampler's title, Don't Break My Love, is taken from a song of the same title by experimental electronic artist Nicola Jaar. The two headphone jacks as the album's output are intended to encourage a shared listening experience.


As sales of the main physical music format (CD's) have fallen, some labels have resorted to deluxe releases but this release is more about the aesthetic than the commercial. It is the re-imagining of the form in which music can be released—the album as a physical work of art that can be admired aesthetically as well as aurally.  BP

(Note: The Prism doesn't levitate like in this video but it's still cool.)

Play the Paradiso Synthesizer at MIT

Currently on exhibit at the MIT Museum, the Paradiso Synthesizer is the world's largest modular synthesizer built at home by Joseph Paradiso over 14 years (1974-1988). You can play it online through the web interface PATCHWERK, which was developed to enable remote users to control the massive synthesizer.



When you turn a knob or flip a switch on the PATCHWERK site, the corresponding knob or flip is mechanically turned or switched on the Paradiso synthesizer and, when someone at the museum changes a setting, you see it, too. You may have to wait in a short queue before you get to control it but it's thrilling to interact from afar with something so complex. It's worth the wait.  BP

Radio Designed to Recycle

This cardboard radio is the production model inspired by the project Environmentally Sound, created by Irish designer, Chris McNicholl. You can get one here. The design of the radio harkens back to early AM/FM radios and its case is as chic as it is eco-friendly.
As it is made of cardboard, the case is entirely recyclable (maybe even compostable) so it cuts down on the waste from discarded consumer electronics that clutters up the world.  BP

Tracking Online Music

The world of online music has been evolving and expanding for a long time now. As more people listen and discover more music online, all of our listening, viewing, 'liking', and tweeting creates a mass of data ripe for aggregation and analysis. The volume is staggering. 

Next Big Sound published a 2011 State of Online Music report that estimated there were more than 64 billion plays tracks played online. A counter on their website shows more than 52 million plays today. NBS is a startup that tracks the popularity of music across more than a dozen digital music services and social media websites. There are some notable absences in their list of services, especially Spotify that launched recently in the United States. One site I visit frequently when I'm looking for new music is Bandcamp, which is not yet on their list. 

A great way to hear new music is to stream on Spinner, NPR, and 3voor12 the week prior to their release but those plays are not counted here. I can understand why they don't track those plays as they are just a sampling of the music that you may not suit your musical palate. And there are other streaming sites that are of questionable legality when it comes to copyright that makes sense not track.

It's an incomplete picture of trends in online music but gives you a sense of the scale of our online engagement with music.  BP

Spinning Tree Ring Records

This is a record player that creates music by reading the year rings in slices of wood. Note that more than one 'record' is played in the video.


YEARS from Bartholomäus Traubeck on Vimeo.

The artist coated these thin slices of wood with an acrylic glass veneer to read the rings as a record player does the grooves on a record. As the artist explains, the tree's year rings are analyzed by the player for their strength, thickness, and rate of growth and this data is the basis for a generative process that produces piano music. Each type of tree ring creates a different type of music.

In the video, the first record in the video is a fir tree that makes a minimalistic sound, the second is a more complexly textured ash tree. Each 'record' is a sonic representation of the tree whose life was recorded in its rings. Music from one of nature's myriad motifs.  BP

The Evolving World of Online Music

Off Book, a web series by PBS Arts published on tumblr created this video about the evolution music distribution and discovery online. It features interviews with individuals whose blogs and sites sluice the flood river of online music for the specks of gold carried in its current. 


Websites like Pitchfork, FADER, and Hype Machine play a vital curatorial role that enable people to discover  new artists amid the host of self-produced music and videos online. (One such artist I'd like to recommend is MPSO who releases a free album this month.) These sites  do serve a function similar to the music press but they publish more reviews and daily. It is music journalism on the abbreviated time scale of the internet. Audio and video are often published with the review so you can judge it for yourself as you read their take on it.

Although I will be a subscriber to Rolling Stone for as long as it is published, these sites have been invaluable to me as a music fan.  BP

This Clement World

It is a new musical performance work by Cynthia Hopkins inspired by her recent trip to the Arctic where she witnessed firsthand the effects of climate change. She recently did a Kickstarter to finance its production and performance that closed with sufficient donations to be funded.
Writer-composer-performer Cynthia Hopkins is raising funds to produce a concert version of her work with orchestral and choral elements to fully realize her vision. The work is described by the artist as "a live documentary film infused with three fictional characters that serve as tour guides for an imaginary exhibit conveying the wonders of our currently clement world." BP

Will.I.Am's New Video - T.H.E

In December of 2012 the century's newest science ambassador, Will.I.Am, released the official video for his single T.H.E (the.hardest.ever). The video features Will.I.AM facing his new mission and obstacles, J-lo as a next century siren, and a psychedelic Mick Jagger worm hole. Yeah...we're fans.

The Victrola Reimagined

On this day in 1877, Thomas Edison invented the phonograph. The iconic horn of that technological marvel has been repurposed as an acoustic amplifier for a more recent marvel, the iPad. It is the iVictrola.
The elegant devices are produced by Matt Richmond from repurposed materials. They are  produced in very limited quantities and, when available, can be found at Design Within Reach. Edison could scarcely have imagined the device that his phonograph horn would someday be used to amplify. But I think he would have approved.  BP